Sunday, August 30, 2009

The Best Pay for an Intern Isn't Always Cash

When looking for a job, connections are more valuable than money.

And the best way to make those connections is through an internship. Even if you've already graduated.

Many of the best internships don't pay a dime. They pay in connections, opportunities and experience. And during a job search, those are far more valuable than cash.

Look at small agencies, especially one-, two-, or three-person shops. They might not be able to pay you. But they can give you better opportunities and are more likely to assist you in your search.

At a large agency, you're just another intern. At a small shop, you can become an important part of the team.

How do you find a post-graduate internship? Approach the owner at a small shop. Volunteer to go in and help with anything. Tell them you don't need money, you just want the experience of working with them. Who knows? Someone who isn't considering an intern may take you on.

Sound simple? Not really. Here's the catch: it has to be someone you have a relationship with. A small shop isn't likely to take on someone they don't know.

So, do what you can to develop strong relationships. I have several recent grads doing that with me right now. When my current intern lands a job, I'll look to bring in one of them.

How I (like other small shops) pay interns: access to my connections, a strong referral, feedback on resume and portfolio, use of my studio and its equipment, as well as active assistance from me in the job search.

And that's worth quite a bit.

(Side note: Normally I don't advise working for free. But in unusual times you have to do whatever is going to help you out in the long run.)


Friday, August 14, 2009

Prepare for the Rebound

When I graduated from college, desktop computers had just entered ad agencies – which meant fewer people were needed to do the same work. It took me months to find my first job.


What you’re experiencing is unmatched. 


However, the rebound is on its way. It might not happen next week or next month, but it is coming. You need to be prepared in order to land a job. 


Build your skills // If you don’t have interactive skills, stop reading right now and sign up for interactive training (that includes you writers). You can register at your local community college. Many have two-day or one-week intensive courses. Just make sure it gives you a good foundation. And then dive in and learn, learn, learn. The people who are going to get hired have an understanding of interactive. If you don’t have that knowledge, you will likely end up in the “no” pile when companies are reviewing resumes. Print isn't dead, but it has all the people it needs. It’s simple. Want a job? Know interactive.


Create a team // My intern Mike is putting together a team of creatives to do pro bono work for an acquaintance. It shows initiative. It shows leadership. It shows well on his resume. He and the rest of the group are sharpening their creative skills and proving their ability to work as part of a team. Plus, they’ll get a nice portfolio piece out of it.


Be fearless // Introduce yourself to people. Follow up. Ask people if they know of openings. What’s the worst thing that can happen? They don’t respond. Big deal. Move on to the next person. If you don’t try, you don’t stand a chance.


The rebound is coming. Are you prepared? 


Have a question? Post a comment and I’ll be happy to respond.



Friday, July 10, 2009

There Are Jobs Out There

Seriously. There are jobs out there.

Last night I heard about two job openings at an AAF-KC after hours event. The day before I heard about two others.

However, these openings are not widely known. Many hiring companies now keep openings to themselves. They don't want to be inundated with resumes and phone calls. And, with the load of talent out there, companies are being very picky about who they talk to, let alone hire.

Depressing? A little. But now that you know, you can work it to your advantage.
  • As I mentioned in my last post, keep in touch with people. What may look like lucky timing is usually consistent follow-up.
  • Attend industry events. It's the best place to meet people who can tell you about job openings. But, you have to do this over time. You can't expect to pick up job leads your first time there. People share leads with people they know. You have to attend consistently.
  • Follow agencies or people you've met on Twitter, Facebook, LinkedIn. You'll learn when they land clients, which means they may be hiring. They may even post job openings.
  • Be sure to update anyone who provides you with a lead. Let them know if the lead turned into something or even if nothing happened. They are more likely to help you again. If I give you a lead and you don't let me know how it worked out, I'm very unlikely to provide you another.
It isn't easy. But remember, these rules apply to everyone. And now you've got a leg up on the competition. Because you know there are jobs out there – and how to root them out.


Friday, June 26, 2009

The KEY to developing your network.

Stay in touch.

Swear to God, it's that simple.

Just because you've met someone doesn't mean they are part of your network. You have to develop a relationship with them. 

Drop them an e-mail once in a while. Or make a quick phone call. But always have a reason for contacting them. And, this is key, the reason should be about them. Not you. A relationship is a two-way street. It can't just be about what they can do for you. They have to get something out of it as well.

An example: Anyone who knows anything about me knows I moved into a new studio recently. I've written about it on Twitter, Facebook, etc. This is the perfect opening for a conversation. 

In fact, here's an e-mail I received:

How's the studio? I know, not a catchy line, but you start to run out of ideas after awhile. How's everything going? Has the transition been smooth? If you need help with anything, let me know. Mike.

I've known Mike awhile now. He's kept in regular contact with me. And it's always relationship-building. Never "Do you know where I can get a job?"

He asked questions. That encourages dialogue. Dialogue builds relationships. He also volunteered to help me out. And, he kept it short. He did everything right.

I called Mike that day and offered him an internship at Springboard Creative. Not because he asked for one (he didn't). But because, after all this time, I felt I knew him well. As part of that internship, I'll be helping him find a job.

And it was all because he kept in contact.


Wednesday, June 3, 2009

Don't Facebook Yourself Out of a Job

"I'm trying to keep this on the down low, but ..."

So started a post from one of my Facebook connections. He thought of it as a private conversation between him and a friend. Unfortunately, he broadcast it to everyone connected to either of them.

Never, ever, ever, and I mean ever post something on Facebook, MySpace, etc. that you don't want everyone to know. Especially prospective employers.

I've written on the career dangers of this before. Just about anyone who is in a hiring position (within our industry anyway) is on Facebook and all the other social network sites. And they will check your page out. Do you feel comfortable with what they'll read or see?

Visit your own page with the mindset of a potential employer. Would you hire you based on your page?

Clean it up. Delete embarrassing photos (and remove tags from other people's photos). Remove unflattering comments. Rework you profile page. Start over if necessary. If they don't like what they see, this may be the only "contact" you have with them.

And making your page private will not solve your problems. There are easy ways around that.

Don't miss out on a great opportunity because you think your social pages are private. They're not.


Wednesday, May 27, 2009

Expand Your Network with One Simple Question

"Do you know anyone else I should be talking to?"

End every conversation you have with that one simple question.

The beauty of the question is that not only do you get a name or two to contact, you get a name to use when making contact.

"Hi. Kevin Fullerton said I should talk to you. I'm a writer ..."

People are much more likely to talk to you, and more importantly listen to you, when you've been sent to them by someone they know. They're also more likely to be helpful.

Even if they don't have a job opening, they may know someone who does. In any event, after thanking them for their time, ask:

"Do you know anyone else I should be talking to?"


Sunday, May 17, 2009

Do I Send My Portfolio to an Agency?

Kevin – Is a physical book something you bring to an interview, or is it something you send off to agency? I've noticed most agencies have a stack of books that were sent to them. And if you do send your book off, do you get it back or do you have multiple copies? – Hudson

Your book/portfolio will be viewed in two ways:
  • During an interview // After reviewing your resume, the agency will determine they want to meet you and view your portfolio at the same time. In fact, viewing and discussing your portfolio will be the majority of the interview. You will usually leave with your portfolio in hand. Occasionally the interviewer will ask you to leave it behind (especially if they want someone else to see it). Ask them when you can return to pick it up. A day or two is the longest they should hold it.
  • Pre-interview // An agency may ask you to send in your portfolio to determine if they want to interview you. They'll call in several portfolios at once so they can narrow down their interview pool. They should hold it no longer than a week. Again, ask them when you can return to pick it up.
Since you may have to leave your portfolio with an agency for a few days, it is best to have more than one copy of your portfolio. The last thing you want is to have someone call you in when you are sans portfolio.

Also, don't be afraid to ask if you can send it to them electronically instead (just be positive it works perfectly on any computer). This gives them what they need and doesn't leave you minus your portfolio. If fact, for interviews, carry a copy of your portfolio on a CD as a leave-behind. 

Lastly, if they don't understand you can't be without your portfolio for more than a few days, run the other direction. You don't want to work there. 

Any interviewers out there have other recommendations?